How to set up a stage sound system
This post will go over how to set up your microphone for singing in several ways.
We’ll also go over the many ways that different instrument players can set up a microphone.
Most people associate a microphone with a gadget that amplifies or makes a person’s voice louder.
They have no idea that the microphone offers a wide range of functions.
Microphones also help singers convey soft melodies that are difficult to hear with the naked ear.
The microphone is unquestionably one of the most significant tools in a vocalist’s arsenal.
As a new singer, you may have believed that you were made for the stage and that all you had to do is produce magic with a microphone in your hand.
However, you may not be aware that mics are part of the arsenal required to create beautiful music, and that, like other weapons, they require proper training and experience to wield.
We’ll focus on live mics rather than studio microphones here.
To begin with, being a vocalist does not necessitate the purchase of an expensive microphone.
Keep in mind that, at the end of the day, it doesn’t matter what type of microphone you use if you can’t sing well.
This page will define the various terminologies that you should be familiar with.
Shock mount/spider mount
A shock mount or spider mount is something I would recommend investing in, especially if you have a home studio.
It dampens vibrations caused by individuals walking or by artists who move around a lot.
A pop filter is useful for reducing the overbearingness of postal sounds, B’s, and P’s.
When you create those sounds, it essentially reduces the amount of air that comes out.
#Condenser and dynamic microphones
Dynamic microphones are great for live performances in clubs because they offer a flat frequency response.
A phantom-powered condenser microphone is more acoustically sensitive.
The polar pattern of the microphone is also crucial to consider when choosing a microphone.
Omni directional, cardioid, super cardioid, and hyper cardioid are the four polar patterns.
For lappele microphones and qior microphones, omni directional and hyper cardiod microphones are commonly utilized. The Sure SM58 microphone is the most well-known cardiod microphone.
That’s the one you’ll see Mc’s and musicians walking up and down the stage using the most.
In acoustically polished settings, super cardiod condenser microphones sound fantastic.
Cardiod or super cardiod rhythms will be used by you as a performance vocalist.
Dynamic or condenser mics will be used for live singing and vocals.
You should test the microphone before beginning your performance as a musician.
To begin, make sure the band is playing as loudly as possible before doing your mic checks. This is done to allow the sound engineer to check real-time levels.
Instead of completing the standard mic check one, two, you should sing as loudly as you can into the microphone.
Microphones aren’t all made equal.
Microphones can provide resonant color to the acoustic voice, enhancing it. Microphones make it easier to add effects like reverb and delay.
Many singers utilize loop pedals to produce wonderful soundscapes with their mics.
A microphone and a microphone cable are required for connecting singers to the PA system (public address system).
Test out different microphones to see which one is best for you and your voice.
Go to an audio store or meet up with someone who knows how to set up a variety of microphones on balanced EQ, then sing your heart out and watch what happens.
Make a decision on the type of stand you wish to take:
Microscopic supports come in a variety of shapes and sizes.
The tripod base of the boom stands
Stands having a spherical base that are straight.
Should you take the left or right side?
If you’re not playing an instrument, use a straight stand.
If you want to sing and play an instrument at the same time, use a boom stand.
This is because a boom stand allows the singer to move the microphone and stand without the instrument getting in the way.
Check the clip on your microphone stand to see whether it will hold the microphone.
A microphone slipping off its stand is the last thing you want to happen during a performance.
After that, take the XLR cable and connect it to your microphone.
I would not recommend wrapping the microphone cord around the boom since you will have to fight with the cable twisted on the stand if you need to remove the microphone from the stand.
If you’re a pianist in need of a microphone, you might consider the following suggestions.
To begin, if you want to execute a Stevie Wonder cover, make sure the microphone is close to the singer.
The microphone should be placed somewhat behind the piano, preferably to your left, to achieve this.
You could put it on your right, but I like to put it on the left for the following reasons.
My piano monitor is on the right-hand side, which I prefer.
I rise up and walk to the right when I stand up, therefore I wouldn’t want to accidently collide into my microphone if it were on the right.
Make sure your microphone is high enough to reach your mouth and far enough away from your hands to prevent it from being bumped.
Keep an eye out for the microphone cord. Make sure the microphone cord is well tucked into the microphone so it doesn’t fall onto the keyboard while you’re playing.
Let’s talk about how to set up a microphone for a drummer who sings.
Drummers require a lot of space due to the sheer size of a drum kit.
The drummer’s microphone should be positioned to the left of the pianist’s microphone.
Drummers require a lot of room, therefore make sure the microphone is high enough so that the drummer does not accidentally crash into it.
One thing to keep in mind is that the microphone should not be pointing into the drummer’s monitor, since this will result in a lot of feedback.
Professional vocalists use what kind of microphone?
It depends, is the response to this question. Before using a specific microphone, a musician will think about a few aspects.
It’s up to you to figure out what the microphone will be used for.
You must take into account the instruments that will be heard through the microphone. Consider using a condenser microphone for concert grand pianos.
For stronger sound sources like guitars, basses, and drums, dynamic microphones may be a good option.